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Rotten: No Irish, No Blacks, No Dogs

   
John Lydon's no-nonsense account of the Sex Pistols from his point of view. The best-selling autobiography also includes contributions from Paul Cook and Steve Jones; together with various friends, family and associates such as John Rambo Stevens, Julien Temple, Chrissy Hynde, Billy Idol, and more…
   
   
Rotten: No Irish, No Blacks, No Dogs
The Autobiography
John Lydon
(with Keith & Kent Zimmerman)

"The Sex Pistols
were gaudiness
incarnate. Musical
vaudeville.
Evil Burlesque."

Originally Published 1994
St Martin's Press (USA)
Hodder & Stoughton (UK)
Republished by
Plexus Publishing (UK)
Picador (US)

Rotten: No Irish, No Blacks, No Dogs UK hardback, 1994

 

Dear World:

You cannot separate the Sex Pistols from the real world, which is what past publications have tended to do. In order to understand why people do what they do, you must first understand why they've done it, who they are and where they come from.

The trouble with rock journalism in general is this; they settle for a narrow point of view, completely missing out on the humanity of the subject matter. In actuality, so-called ''rock icons" are just people. We have family. He have people we care for. We have points of view and prejudices, just like everybody else.

Point #1. Rotten: No Irish, No Blacks, No Dogs is the no-bullshit account of the Sex Pistols from my own point of view. I'm not saying I'm completely correct, because in reading the book, you'll notice more than a few contradictions. That is what makes the book valid. Contradiction is the art form.

Point #2. In order to be accurate, I've taken several extra months to deliberately eliminate a single point of view format in favour of the larger picture. Hence the use of extra voices like Billy Idol, Chrissie Hynde, my father, best friends, worst friends, and people I hardly know. This leaves a tapestry for you to unravel.

Point #3. This is not just a music book. Music must reflect life, and life must come first. As someone born in the late fifties, going through the sixties as a child, observing the feminist movement as a pre-teen, seeing the mistakes of others, observing drastic political changes in youth culture and watching most of them fail, as chance would have it, we put a band together out of the debris. The Sex Pistols dismissed traditional sexual and racial role-playing.

Point #4. Individuality is a major theme of the book. It is a tragedy of modern life that individuality is perceived as, at best, an art form, and at least, an outcast. Fashion follows individuality, and never the other way around.

I hope you enjoy Rotten: No Irish, No Blacks, No Dogs because certainly the alternative is lies and exaggeration. This book is neither ghost-written, nor is it a publisher's delight. My friends and I, Keith and Kent Zimmerman, have assembled something I consider honest and real.

The written word need not be a lie…

Enjoy or die.
John Lydon

   
   
 
 
 
 
 

Sex Pistols official announcement:
Rock and Roll Hall of Fame

 
February 24th 2006
 
Official announcement from the Sex Pistols regarding the Rock n Roll Hall of Fame
 
 
 

Alice Cooper Box Set

 
'The Life and Crimes of Alice Cooper' Rhino Records, 1999
 
Always a huge Alice Cooper fan; John wrote the introduction to his 1999 box set. There's not many people John Lydon would go to this much trouble for…
 
Alice Cooper Box Set Sleevenotes by John Lydon
 
Follow this link to view full size version LARGE file (2.2 mb)
 
 
 
Picture Credits: (Top to Bottom)
Rotten: No Irish, No Blacks, No Dogs UK hardback, 1994
Official announcement from the Sex Pistols regarding the Rock and Roll Hall of Fame
Alice Cooper Box Set sleevenotes © text John Lydon
 
   
   

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